Patricia Riera is a copyright lawyer with over 20 years of expertise in intellectual property law. Since 2019, she has been a member of the International Affairs Department at AISGE, the Spanish collective management organisation representing audiovisual performers. From 2008 to 2019, she was in charge of the Catalonian Office of CEDRO, the Spanish CMO that represents authors and publishers.
In addition to her legal practice, she lectures on copyright at the Open University of Catalonia and leads specialised intellectual property training courses tailored to professional groups across various sectors, including cultural and publishing industries.
Since December 2024, she has served as Vice-Chair of Aepo-Artis.
Dinnos Georgountzos studied philosophy, music, and software engineering. He is the Secretary General of “APOLLON” – Greek Musicians’ Royalties Collecting Society, and President of a three-year cycle with one-year tenure of the GEA Organisation – Organisation of Greek Record Producers, Singers, and Musicians. He has been working in the music industry since 1986. He has participated in recordings with the majority of Greek composers, singers, and musicians, and has collaborated with world-renowned symphony orchestras as a composer, orchestrator, and producer. Since 2002, he has held administrative and executive positions in the field of Intellectual Property and Related Rights, with continuous participation in committees, conferences, and forums with state bodies and executive officials from organisations in Greece and abroad, representing his country in the commercial and administrative processes of Collective Management Organisations. As a member of the “Musicians in Action” collective and during his two-year tenure on the board of the Panhellenic Musicians’ Union, he actively addresses professional artists’ issues, transferring his experience to the field of action for Greek musicians.
A musician (keyboards) in the contemporary music sector for more than 25 years, he led social movements for freelancers and held union responsibilities at the regional level before becoming Secretary-General of Snam-CGT in 2016 and dedicating himself exclusively to defending the interests of male and female musicians. His responsibilities lead him to negotiate for live performance and recorded music. He participated in the negotiation of the agreement on Minimum Remuneration Guarantee for compensation of tracks exploited through streaming in 2022.
Musicien (claviers) du secteur des musiques actuelles durant plus de 25 ans il a animé les mouvements sociaux de free-lance et assumé des responsabilités syndicales au niveau régional avant de devenir en 2016 Secrétaire-Général du Snam-CGT et de se consacrer uniquement à la défense des intérêts des musiciens et musiciennes. Ses responsabilités l’amènent à négocier pour le spectacle vivant et pour la musique enregistré. Il a participé à la négociation de l’accord sur la Garantie de Rémunération Minimale sur la rémunération des titres exploités en streaming en 2022.
Gérard Assayag has founded and currently heads the Music Representation Group at IRCAM STMS Lab, and he also directed the lab from 2011 to 2017, overseeing IRCAM research policies at the national and international level. He was involved in the creation of international research institutions s.a. Sorbonne’s AI and Music Institutes, the French Music Informatics Association, the Journal and Society of Mathematics and Computation in Music, or the Sound and Music Computing International Conference. Interested in Machine Musicianship, i.e. the modelling of musical behaviour from a spectrum of interdisciplinary views, Assayag has defined through numerous publications and successful technologies (OpenMusic, OMax, Somax & co) the concept of symbolic interaction to account for rich and versatile human/machine musical dialogue, laying ground to the Cocreativity concept he fostered for next-generation interactive AI in the arts. Assayag holds the prestigious European Research Council (ERC) Advanced Grant, awarding his research career achievement and vision for the future through the project REACH (Raising Co-Creativity in Cyber-Human Musicianship). REACH features an international team over three continents and develops ground-breaking theory and tools for Artificial Creative Intelligence in Music.
First Ombudsman of Costa Rica (1993-1997); Member of the Legislative Assembly (2002-2006).
Ambassador and Permanent Representative of Costa Rica to the United Nations in New York (2018-2022) and as such president, bureau member, chair or co-chair of various formal and informal bodies. President of the Board of Unicef (January thru June 2022) . Member of the Committee of Human Rights seating in Geneva (2023-2026).
Professional development in the private sector includes being a liberal professional since 1971 in the fields of Economy, Law and International Relations. He has also served as a consultant for International Organisations (Governmental, Intergovernmental, Non-Governmental) as well as for private entities—fifty-five years of experience as a businessman in commercial, industrial, tourism, agricultural and service sectors.
Academic background includes serving as a university professor in Costa Rica and in the United States and at the University for Peace; Member of the Board of the public Distance University in Costa Rica; hold a Law Degree from the University of Costa Rica and a similar degree in Economic and Social Sciences from the University of Costa Rica, a PhD in Political Science and International Relations from the University of Geneva- Switzerland and have completed further studies in History and International Law.
Works at ease in Spanish, English and French.
Born in 1948 in San José, Costa Rica, he is married, the father of four daughters, and the grandfather of eleven grandchildren.
Graham Davies has an extensive background in the music industry, working in digital transformation, policy, and advocacy. He advocates for the world’s largest music streaming services and has testified to the UK House of Commons, US Senate, and Canadian House of Commons.
Before leading the Digital Media Association, Davies was CEO of The Ivors Academy, where he built global recognition of The Ivors as one of the most preeminent songwriting awards in the world. He led influential governmental and policy campaigns, including the landmark UK DCMS Select Committee Inquiry into the Economics of Streaming, which resulted in important reforms.
Davies also held senior roles in the music publishing collective rights management sector, devising innovative digital licensing and administration strategies, including the ground-breaking International Copyright Enterprise (ICE). Davies is a Director on the Board of The Mechanical Licensing Collective, and previously served on the Boards of UK Music, the Council of Music Makers, the British Copyright Council, the Network of Music Partners A/S, and The Ivors Academy Trust.
Hailing from London, England, and now based in Washington, DC, Davies received his BA in music from the University of Liverpool and his MBA from Warwick University.
Marcos Alves de Souza is a Master of Anthropology graduate from the University of Brasília. He is a career public servant at the Brazilian Ministry of Management and Innovation in Public Services. Mr. Alves de Souza has led the area of copyright at the Brazilian Ministry of Culture from 2004 to 2016. Between 2018 and 2022, he was a culture advisor to the leadership of the Labour Party at the Senate, when he contributed to the drafting of the Paulo Gustavo Law, Brazilian Supplementary Law No. 195/2022, which marks the largest investment in the Brazilian cultural scene ever. Mr. Alves de Souza is currently the Secretary of Copyright and Intellectual Rights at the Brazilian Ministry of Culture.
Julie Jueyoung Lee has been with the Federation of Korean Music Performers (FKMP) since March 2017. FKMP is the sole collective management organisation (CMO) for music performers’ rights in South Korea, representing over 50,000 featured and non-featured performers, including singers, vocalists, instrumentalists, session musicians, traditional Korean music artists, conductors, and more. Beyond rights collection, FKMP actively supports music performers by advocating for legislative and policy reforms, improving working conditions, providing welfare systems, responding to market shifts and discovering emerging talent.
During her first four years at FKMP, Julie played a key role in strengthening the organisation’s global network by signing bilateral agreements with CMOs across Europe, South America, North America, and Asia. These efforts aimed to ensure that performers get the remuneration they deserve when their music is played across borders. With the expansion of K-pop’s influence in the global market, she also led improvements to FKMP’s internal systems for data and financial exchange with overseas CMOs, which contributed to a significant increase in international collections and distributions Additionally, she was involved in the onboarding of the international databases, the International Performer Database (IPD) and the Virtual Recording Database (VRDB), developed by SCAPR.
In late 2021, she transferred to FKMP’s Business Department, where she was in charge of collecting remuneration for broadcasting, digital sound transmission (webcasting) and public performance. She also participated in licensing negotiations with major global audio and audiovisual streaming platforms, including Spotify, Meta and Netflix.
In April 2025, Julie returned to the International Department with a comprehensive understanding of performers’ neighbouring rights and licensing practices. Today, she is dedicated to sharing South Korea’s advanced position in streaming compensation models and collaborating with fellow advocates of music performers’ rights around the world.
Julie holds a BA in Economics and Political Science & International Relations from Ewha Womans University and a master’s degree in Sustainability (Business, Environment and Corporate Responsibility) from the University of Leeds. Before joining FKMP, she worked as a sustainable business consultant at KPMG Samjong Accounting Corp.
Barrister at the Greek Supreme Court and the Council of State, Head of Legal of Autodia Greek CMO of Music Authors and Rightholders and Apollon Greek CMO of Musician’s Neighbouring Rights, Legal Counselor of National Concert Promoters and Bookers Association, National Theatre Producers Association, National Composers and Songwriters Union, National Musicians Union, National Singers Union, Legal Counselor of public and private entities in energy, finance, shipping, real estate, construction, mining, international trade, transportation, health care, education, agriculture, food and beverages, design, art, fashion, security, sports. Experienced litigator, able mediator, resourceful lobbyist and persistent negotiator with 28 years of professional experience, has also teaching and research experience. Graduate of the prestigious Anavryta’s Model Classical Lyceum (class of ’89), holds from the Law Faculty of the National University of Athens LLB (Law), LLM (Public Law specialised in Constitutional Law), MPhil (Philosophy and Sociology of Law specialised in Ethics and Methodology of Law), PhD cand. (Hermeneutics). Interested in History, Literature, Theatre, Poetry, Music, Cinema, Fine Arts, Architecture. Of Greek-Italian origin, proud of his 20,000-volume library, enjoys reading, travelling, and boxing. Fluent in English, French and Italian.
ECSA Secretary General Marc du Moulin has an in-depth understanding of the functioning of the creative industries and an extensive experience in European Affairs. He previously worked for the European Film Agency Directors, the Motion Picture Association, the European Commission (DG CNECT) and for Eurocinema. Marc holds a Masters in UK-EU-US Copyright Law from King’s College London and a Masters in European Studies from the Catholic Institute of Paris.
Anastasia Georgaki is Professor of Music Technology at the Department of Music Studies of the National and Kapodistrian University of Athens. She served as head of the Department of Music Studies from 2019 to 2025. Actually, she is the Director of the Laboratory of Music Acoustics and Technology and Director of the Postgraduate Program “Music Technology and Contemporary Practices”. A graduate of the Department of Physics of the National and Kapodistrian University of Athens (1986) and the Ηellenic Conservatory (1981-1990), she continued her postgraduate and doctoral studies in Music Technology and 20th Century Musicology (1990-1996) at IRCAM/EHESS in Paris. He is a member of the SMC Steering Committee and the Greek Musicological Society. She has organised a large number of international and Greek conferences on music technology. She has been awarded for her book “Sound as Material in Contemporary Music Creation” by the Union of Greek Theatre and Music Critics. She has published books, articles in Greek and foreign journals, proceedings of international conferences, and collective volumes on the systematic dimension of the use of new technologies in music performance, creation, and education, as well as in musicological research. Main research areas: systematic musicology through acoustic analysis of the singing voice, singing voice synthesis, prosodic song models, analysis of biomusicological models, aesthetics and ethics of music technology in contemporary research, systematic study of technological models in music creation. She continues her musical activity as an accordionist, participating in nuevo tango and Greek poetry set to music ensembles.
Lawyer, graduated from the University of São Paulo in 1977; Assistant Professor of Commercial Law at the Pontifical Catholic University of São Paulo (PUC) Training Course of Business at the University of Louvain la Neuf, Belgium; holder law firm Mello Advogados Associados SC, founded in 1952; was Member of the National Copyright Council, under the Ministry of Culture, by appointment of President José Sarney, until their extinction; Founder and CEO of ABRAMUS – Brazilian Association for Music and Arts; President of AUTVIS – Brazilian Association of Visual Arts; President of ABDA – Brazilian Association of Copyrights; Board Member of the Committee of Dramatic Authors, Literary and Audiovisual as well as Board Member of the Committee of Visual Arts both organizations of CISAC (International Confederation of Societies of Authors and Composers); President of National Committee of Culture and Authors Rights, Member of the Board of Directors of SCAPR – Soceties’Council for the Collective Management of performers’ Rights.
International President of the American Federation of Musicians of the US and Canada, Tino Gagliardi was elected AFM international president in 2023 and took office in August 2023. Prior to becoming Federation president, he served as president of AFM Local 802 (New York City) from 2010 to 2018 and returned in 2022. As president of Local 802, Gagliardi led the negotiations for Broadway, the Lincoln Center resident orchestras, and Radio City. In 2015, Mayor Bill de Blasio appointed him to the New York City Cultural Affairs Plan Citizens’ Advisory Committee. He also has served as an AFM International Executive Board member from 2010 to 2018, and served on the finance, electronic media oversight, and organizing committees.
Gagliardi, an accomplished trumpet player, has performed in New York City’s concert, club date, and recording fields, as well as on Broadway. Under his leadership, the AFM has achieved historic contract wins for musicians, including breakthroughs in streaming residuals, establishing critical guardrails against the misuse of AI, and securing wage increases for the musicians who create the soundtracks for film/television productions. His agreements with the Met Opera, New York Philharmonic, NYC Ballet, Broadway League, and many others ensure fair treatment for musicians in those productions. These accomplishments are a testament to Gagliardi’s unwavering dedication to solidarity and his steadfast commitment to advocating for musicians rights. Most importantly, they underscore his relentless efforts to protect the value of musicians’ contributions and artistry to the entertainment industry, ensuring a promising future for all musicians.
Gagliardi is a trustee and co-chair of the American Federation of Musicians and Employers’ Pension Fund, trustee and co-chair of the AFM & SAG-AFTRA Intellectual Property Rights Distribution Fund, vice president of the International Federation of Musicians (FIM), and executive board member of SoundExchange. He also serves on the Labor Advisory Committee for Trade Negotiations and Trade Policy for the Office of the U.S. Trade Representative.
Musician and cultural manager, FIM Vice-President, Vice-President of the Swiss Performers’ Cooperative Society (SIG), SWISSPERFORM board member, former President of the International Federation of Coalitions for Cultural Diversity (IFCCD).
Has studied the piano, the guitar, archaeology, cultural anthropology, orchestral conducting and arts management.
Lives in Zurich, Switzerland.
Xavier Blanc, French legal advisor, has spent over 30 years defending performers’ rights. From 2019 to 2025, he worked as a consultant analyzing laws, proposing reforms, and strengthening artist protections nationally and internationally. From 1989 to 2019, he served as Director of Legal and International Affairs at SPEDIDAM (France), handling all legal and operational aspects of performers’ collective rights management and promoting international cooperation, especially in developing countries.
Blanc was also a full member of the French Superior Council of Literary and Artistic Property (CSPLA) from 2000 to 2019. Internationally, he co-founded AEPO-ARTIS and served as its General Secretary (1994–2019), promoting advocacy and coordination among European performers’ organisations. He also helped create SCAPR and was a board member (1996–2019), overseeing global collective rights management, chairing its Legal Working Group and later its Cooperation and Development Working Group.
His career began as a lawyer at the Lyon Bar (1984–1989), combining legal skills with a background in music—holding diplomas in harpsichord and chamber music from a Conservatory.”
Vasilis Ginos studied law and music, and has been professionally involved in the music industry for the past 40 years as a musician, orchestrator, programmer, musical director and producer, participating in numerous recordings and live performances with artists and creators from many genres, both in Greece and abroad. He has been involved in radio production, owns a recording studio, and has extensive experience in music technology, with publications in print and online media about synthesizers and electronic music. He releases his own music independently, while also working for theater, cinema, television, and advertising. He has authored books on the Music Profession and Intellectual Property, topics he addresses as a professor at the Art Conservatory, through his “EMENA ROTA” YouTube channel, and as a member of “Musicians in Action” collective. He served as Vice President of the Panhellenic Musicians’ Union and is Press and Publications manager and substitute board member of the Collective Management Organization “Apollon.”
Christophe Van Vaerenbergh has been the managing director of PlayRight since 2010. PlayRight is the sole CMO (collective management organisation) for performing artists in Belgium, representing more than 22.000 directly affiliated musicians and actors. Prior to joining PlayRight, Christophe was the managing director of the Belgian Standards Bureau between 2006 and 2010. From 2000 until 2006 he was an advisor to several Belgian ministers on topics related to ICT, privacy, and intellectual property issues. He is a lawyer by training, specialized in IT law and copyright law, and currently lives in Ghent.
Paul Torremans (Lic., LLM, PhD) is professor of intellectual property law, School of Law, University of Nottingham (UK). He graduated from the universities of Leuven and Leicester and he taught at the universities of Leicester and Leeds before joining Nottingham. His main research interests are intellectual property and private international law. His recent publications include Intellectual Property and Private International Law, OUP (3rd ed, 2024), European Patent Law: The Unified Patent Court and The European Patent Convention, De Gruyter (2023), with D. Matthews and EU Copyright Law: a commentary, Edward Elgar (2nd ed, 2020), with I. Stamatoudi.
Starting as a tape-op at CBS studios in 1975, Steve progressed to in-house engineer and worked with many acts including The Clash, The Jags, The Vibrators, XTC & Sailor.
Beach Boy Bruce Johnson was to play an important part in Steve’s early career, culminating with Steve producing the 1985 Beach Boys album several years later.
Steve produced all of Culture Club’s classic hits and the bands’ three multi-platinum albums.
Collaborations include Honeyz, China Crisis, Gary Moore, Ziggy Marley, Louise, The Angelic Upstarts, Lemmy & Motorhead, David Grant, Westworld & 911.
A recipient of a number of prestigious awards including a Brit Award, Musicweek Award and a Grammy for his work with Deniece Williams.
His radio production company, produces high quality original radio content for the BBC and independent radio. The company has won multiple awards at the New York Radio Festival and a Sony award as Radio Presenter.
Steve composed the soundtrack to HYPERBRAWL. The game is on all major gaming consoles and platforms and the soundtrack music is released via SONY MUSIC.
Steve has been a LIPA Companion (Liverpool Institute Performing Arts) for over 20 years. Regularly working with the students who wish to become future Record Producers and Sound Engineers.
Baltic Jazz Recordings Ltd is a label set up by Steve, specializing in Jazz & Soul featuring collaborations from artists worldwide.
John F Smith has a distinguished career in music. After studying at the Royal Academy of Music in London from 1968 -1971, he joined the English National Opera orchestra in 1974 and remained there, as Principal Tuba, for almost 20 years.
In 1994, he became a full-time official of the British Musicians’ Union (BMU) and was promoted to Assistant General Secretary (Media) in 1997. In December 2002, John was elected General Secretary of the BMU, a position he held until he retired in July 2017.
John has been President of the International Federation of Musicians (FIM) since 2004. This role includes representing musicians’ interests in discussions with organisations such as UNESCO, the World Intellectual Property Organisation (WIPO), the ILO and the European Parliament and Commission.
John was a past President of the General Federation of Trade Unions (GFTU) and was a member of the UK Trades Union Congress (TUC) General Council and Executive Committee. He is also a former Chairman of the Trustees of the Royal Society of Musicians. He was appointed Chair of the UK Collective Management Organisation PPL Chair in 2016.
In January 2018, he was the recipient of the Association of British Orchestras’ Special Award for his contribution to British Orchestras. In 2020, HRH Queen Elizabeth II appointed him an Officer of the Order of the British Empire (OBE) for services to music.
Engineer and philosopher by training, Jean-Gabriel Ganascia is currently Professor Emeritus of Computer Science at the Sorbonne University, a EurAI Fellow, an honorary member of the Institut Universitaire de France and a member of LIP6 (Laboratory of Computer Science of the Sorbonne University). His current research activities focus on artificial intelligence, machine learning, computational ethics, computer ethics and digital humanities. He has published more than 500 papers in conference proceedings, scientific journals and books. He is also the author of a dozen books for the general public, the latest of which, entitled “AI Explained to Humans”, has been published by Éditions du Seuil in September 2024. In addition to his academic publications and his my many other writings, Jean-Gabriel Ganascia regularly publishes two chronicles on the ethics of science, one every month in the magazine “Sciences et avenir” (https://www.sciencesetavenir.fr/), and one every trimester in the magazine “La Recherche” (https://www.larecherche.fr/). Currently, Jean-Gabriel Ganascia chairs the Ethics Committee of France Travail that is the French National Employment Agency and the Steering Committee of the CHEC (Cycle des Hautes Études de la Culture). He was also President of the CNRS Ethics Committee (COMETS) between 2016 and 2021.
Irini Stamatoudi is an attorney-at-law at the Greek Supreme Court, a professor of law at the University of Nicosia in Cyprus, and the Head of the Department of Law. She served as the General Director of the Greek National Copyright Office within the Ministry of Culture and Sports from 2007 to 2018. She holds degrees from the University of Athens in Greece (LL.B.) and the University of Leicester in the UK (LL.M. and Ph.D.). She has worked as a copyright expert on various programs in Georgia, Abu Dhabi, Turkey, Egypt, Azerbaijan, and other locations. She has taught extensively across numerous academic courses in the UK, Greece, Cyprus, Italy, France, and more. She authored the World Intellectual Property Organization (WIPO) Academy DL specialization course on copyright and has been teaching WIPO distance learning courses since their inception in 2001. She has published fourteen books, including four monographs, as well as numerous articles. Some of her works are internationally regarded as reference texts.
Ioan Kaes is a hands-on lawyer specialised in Copyright and Media law. He has been active in the music industry for over 25 years, which he has come to know from different angles: as a recording and touring musician, as a lawyer, as a teacher and for the past decade as a policy advisor.
As General Secretary of AEPO-ARTIS, the federation of European performers’ organisations, he represents a network of 41 collective management organisations active in 30 countries. In Europe AEPO-ARTIS takes the lead in defending the interests of musicians and other performers with the clear on improving their remuneration for digital exploitations. Ioan is a strong supporter of a more far-reaching reorganisation of the European legal framework regarding streaming and other online exploitation of performers’ neighboring rights and sees a great responsibility for collective management in this.
Horace Trubridge is a professional saxophonist who has written and recorded chart hits and continues to perform live with the band that he has been in for 49 years. He is a member of the Royal Society of Musicians and has a diploma in music teaching. He worked for many years at the British Musicians Union in a variety of roles including chief negotiator and General Secretary. He has written articles for the World intellectual Property Organisation, WIPO, and lectures on the importance of performer’s rights. For many years he was an active member of FIM including as Vice-President and is currently a director of the UK collecting society, PPL. He lives with his wife in the Sussex countryside and loves to fish and ride his classic motorcycle.
David Martin joined the Featured Artists Coalition (FAC) in November 2019. The FAC is the UK trade body representing the rights and interests of a diverse, global membership of music artists at all stages of their careers. He also sits as a Director at umbrella trade bodies UK Music and LIVE, and at the International Artists Organisation, as well as the UK’s Council of Music Makers and Independent Venue Week.
David has more than twenty years of experience in the music industry with a background in many parts of the sector and in particular in talent booking, relationship development and event brand development. Most recently he was the lead booker and Director at Dimensions Festival, where he developed the globally recognised music programme from conception, developed the label, Dimensions Recordings and led the festival’s accompanying International Series. David has a particular passion for identifying and supporting talent and has always championed the role of artists within the industry.
David’s music industry experience comes alongside more than fourteen years working in UK central government, developing policy, and supporting and influencing some of the most senior figures of the UK’s Health Service and Members of Parliament.
Chris Castle is a lawyer based in Austin where he represents music clients in transactional matters, music-tech starts ups and public policy clients. He writes the MusicTechPolicy and MusicTech.Solutions blogs. He is a frequent commenter on artificial intelligence and copyright including a comment for the US AI Action Plan and the UK IPO Office AI consultation. His recent published writings include a study on “streaming remuneration” for musicians commissioned by the World Intellectual Property Organization co-written with Professor Claudio Feijoo. He was selected as one of the Billboard “Top Music Lawyers” for 2024.
Prior to founding the firm he was SVP and General Counsel to SNOCAP in San Francisco, of counsel to Wilson Sonsini Goodrich & Rosati in Palo Alto and Mitchell Silberberg & Knupp in Los Angeles, SVP Business Affairs at Sony Music in New York, and VP Business Affairs at A&M Records in Hollywood.
Chris holds MBA, JD and BA degrees from UCLA and is a frequent lecturer at law schools and business schools. He is admitted to the bar in California and Texas. He may be reached at christiancastle.com. Before law school he was a working musician and a member of Local 47 AFM.
Benoît Machuel (France) has been General Secretary of the International Federation of Musicians (FIM) since September 2002.
Before that, he developed a career as a professional musician for twenty years, both as a cellist and a gambist in various French symphony, opera, and baroque orchestras and ensembles. He participated in numerous recordings and tours in France and abroad.
He also served as Artistic Director for French CD labels specialising in classical and contemporary music.
Between 1995 and 2002, he served as a national representative of SNAM, the French musicians’ union.
He holds two Master’s degrees, in Computer Science and Business Administration.
Artisjus and two-time Fonogram award-winning bassist, producer, teacher. He is a member of the Performing Artists’ Rights Bureau’s delegates’ assembly and royalty committee. Vice President of the Hungarian Musicians and Dancers Union (MZTSZ). Board member of the Music Hungary Association. Teacher at the Kőbánya Music Studio. Member of the Péter Máté Prize Committee.
In 2012 he received the Artisjus Award and the Special Award of the Hungarian Jazz Association. In 2013 he received the Smoothjazz Songwriting Award. In 2003 he won the Bass Guitarist of the Year Award at the Golden Arrow Awards Gala. In 2017, he was the Jazzy Song Contest’s Grand Prize Winner. In 2021, he was awarded the Fonogram Award for the first time and in 2025 for the second time in the category “Contemporary Hungarian Popular Music Album of the Year”. In 2021, he was included in the Encyclopaedia of Successful People in Hungary (Britishpedia V. 2021.)
In the past 30 years he has worked on 127 major albums and has been the music director of 75 television programmes over the past 15 years. His bass playing can be heard on over 1,400 commercially released recordings. He has released 6 solo albums to date.